APPLICATION REQUIREMENTS:  Sample of student work (4-5 poems) to be submitted IN A SINGLE DOCUMENT (either electronically in Word, or a hard paper copy) to Professor Nystrom’s email address at or to her English Dept. Along the way we’ll consider how environmental criticism intersects with other forms of critical scholarship, including social justice studies, critical race studies, disability studies, gender and sexuality studies. Graduate and professional programs will start as previously planned. It explores the history of the American short story from the nineteenth century through our own by focusing specifically on medical themes: ailing and injured bodies and minds; doctors, nurses, and patients; the social construction of disease and madness as well as of health and sanity. Emphasis is on workshop of students' own poems, with focused writing exercises and written responses to relevant outside reading, as well as class discussions on issues of contemporary poetry. MWF 1100-1150 (New Cabell 064), 007 - Topic TBD - MWF 100-150 (New Cabell 036), 043 - Topic TBD - Students will be expected to write and revise six to eight poems, to participate in class discussion and offer detailed notes in response to other students’ work, to keep a poetry journal, to attend at least two poetry readings, to turn in close-reading responses to three assigned readings or write one longer paper, and to participate in a group presentation. The past is another country: they do things differently there. This section will focus on the writing process in terms of the challenges and opportunities faced by multilingual writers writing academic prose in English. Lisa Woolfork, TR 1100-1215 (New Cabell 332) Both physical and mathematical implications considered. MW 1100-1215 (Bryan 233) With luck, we’ll get some time for W.H. Offers a two-semester approach to the First Writing Requirement. We can learn from histories of representation, emphasizing intersectionality of race, gender, sexuality, class, and national/geographical context. How does the monumentality of the signature buildings on the campuses of land-grant colleges and universities in America resist the slight “Cow School” to belittle the official mission of these institutions? Some questions we will consider: How and why are the “livestock” alongside whom Frederick Douglass is commodified subjects of ethical concern in his 1845 Narrative? 10 New Recruits. Additionally, for many students this means of learning is inferior. What is it that make certain representations of an athlete or a sport “literary”? Authors include Francis Bacon, Aphra Behn, John Donne, Ben Jonson, Robert Herrick, Thomas Hobbes, Andrew Marvell, John Milton, and Katherine Philips. Authors may include Nathaniel Hawthorne, Edgar Allen Poe, W.E.B DuBois, Willa Cather, T.S. Readings will center on four principal themes: conflicts with others and the self (and Kafka's psychological vision); the double; the play with paradox and infinity; and artists and animals. APPLICATION REQUIREMENTS:  Sample of student work (4-5 poems) to be submitted IN A SINGLE DOCUMENT (either electronically in Word, or a hard paper copy), to Professor Nystrom’s email address at or to her English Dept faculty mailbox in Bryan Hall’s faculty lounge; submissions should include a cover sheet with name, year, email address, telephone number, major, prior workshop experience, and other workshops to which you are submitting. TR 200-315 (Shannon 109) This project-based course explores podcasting as a dynamic form of 21st century storytelling. This course uses a Case-Study approach to teach statistical techniques with R. Basic statistical techniques include confidence intervals, hypotheses tests, regression, and anova. We will read probably four novels by each writer, along with lots of background and critical material. The student must be prepared to confront unpardonable adaptations of adaptations of adaptations. We’ll tackle Austen’s fiction and legacy rigorously and accessibly, making space for chemists, humanists, and everyone in between. Remember when you said it was the best time? Class Search Available in SIS For Summer and Fall 2020 Classes. An introductory course in poetry writing, with a primary focus on creating new poems in a workshop setting. These data were not obtained from SIS in real time and may be slightly out of date. TR 1100-1215 (Cocke Hall 101) The goal throughout will be to use Irish test cases to consider what role literature and other media have had in shaping Irish political and social life. TBD. No previous knowledge of the Bible needed or assumed. In this course, we’ll look at a variety of texts from academic arguments, narratives, and pedagogies, to consider what it means to write, communicate, and learn across cultures. How do these twentieth- and twenty-first-century genres arise from their own moment of production and how do they reflect back on the nineteenth century? Jo Adams. Contrasting these two kinds of narratives will raise thought-provoking questions on the nature of narrative and its intersections with discovery. Cory Shaman, 011 - Topic TBD - Podcast listenership has almost doubled since 2008 and continues to grow steadily. Students who are paying full-time undergraduate tuition for the Fall 2020 semester are eligible to take one domestic 2021 J-term class at no additional charge. Of prevailing concern will be contemporary uses and reworkings of Austen: her screen adaptations, her commodification, and the many parodic uses to which her fictions have been put, online and off. We begin the course looking at the work of Anne Bradstreet and Phillis Wheatley. Possible projects include short essays and a digital tracking project. This workshop is for both graduate students (including MFA fiction students) and advanced undergraduate students with prior experience in writing and revising poetry. In what ways can the act of writing become more enjoyable and instructive? Lorna Martens The class satisfies the second writing requirement, and it is appropriate for students considering declaring a major (or minor) in English, as well as for smart and motivated non-majors looking to sharpen already solid writing skills. INSTRUCTOR PERMISSION means you must submit work to be considered. An “Otherworld” is an alternative world parallel to ours. Christopher Krentz Includes averaging principles; equivalent homogeneity; effective moduli; bounding principles; self-consistent schemes; composite spheres; concentric cylinders; three phase model; repeating cell models; inelastic and nonlinear effects; thermal effects; isotropic and anisotropic media; and strength and fracture. Micheline Marcom Undergraduate courses will still begin Aug. 25, but all courses will begin online. Instructors place student writing at the center of course, encourage students to think on the page, and prepare them to reflect on contemporary forms of expression. We will read these works of political and philosophical prose in conversation with literary works—from Francis Bacon’s scientific utopia New Atlantis to Aphra Behn’s comedy about the romantic exploits of Cavaliers in exile—that meditate on the transformations and continuities of the century in markedly different ways. The supernatural is a must, but is magic? Not to be confused with “fake news,” point-of-view journalism has a history as long as the nation’s, from Tom Paine and Benjamin Franklin in the eighteenth century to Ida Tarbell, the original “muckraker,” in the nineteenth, and “New Journalism” practitioners like Tom Wolfe in the twentieth. Instructor permission required. These data were not obtained from SIS in real time and may be slightly out of date. The one sure thing connecting this huge variety of “makings,” these shapings of other people's experiences and beliefs and fantasies, is that someone (somewhere, sometime) felt them important enough to put down in writing and therefore created the possibility for their persistence beyond their own historical moment. Does reading novels make us more empathetic? Has this erased the interest in telling individual life narratives? MouseOver the enrollment to see Last Update Time. 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